hailing from vancouver toby emerson has had tracks out on labels such as system recordings, bugeyed, and monster tunes. tobys music usually does not stick to a specific genre and brings in elements from electro, house, trance, and rock music. djs such as paul van dyk and judge jules have been known to support his music. here we have a straight up club monster with remixes from filthy rich & 2 bit adding to the package nicely.

ever since carl falk got involved with electronic music due to the rich techno culture of sweden, he turned out to be an unstoppable pool of creativity. tough beats mixed with funky elements and basically any percussion from around the world, the mixture of elements creates firm tracks aimed at the dj and dance floor! all of this comes together in the banging a-side track called late night. on the flip we find the late night remix by no other than spilo label manager cave! he does his tricks, again, which turns his version into a late night prime time techno killer!

simone tavazzi did it again! its still by him the new analytic trail release, the number 23 for the precision of markantonios label. this time the young milanese producer dedicated to a style with dark aftertaste, but rich in intensity and rare sounds. the track poltergeist, which you can hear the exceptional remix by english perc from perc trax, drumcode, kompakt, as it is an entity that will dominate clubs, your car and your minds, we will be catapulted into a long journey! and yet the track way out - there is no way out, you can just dance and make people move all night long.

ian pooley makes his debut appearance on simple to kick start what is shaping up to be a bumper year for the label. german ian pooley hails from mainz but recently found a new home in berlin. ian is well known as a remixer and for his own prolific output bridging the gap between techno and house, creating superb tracks such as the massive >celtic cross< & >chord memory< on the force inc. music works, as well as recording more housier and disco orientated workouts for labels such as john acquavivas definitive recordings, effective records and nrk sound division. ian has also remixed for daft punk, the cardigans, the beloved, green velvet, modjo, nick holder and many more. ian has recorded two albums for v2 records, his debut >meridian< was a classic late 90s pooley album, full of tech-house delights and including the massive >whats your number< as remixed by jazzanova and bob sinclair. followed by huge albums >souveniers< and >since then<, and most recently >in other words< featuring robert owens, tim fuller and perry colo. most recently hes been busy djing across the globe, producing new music for the likes of us and producing for artists such as get physicals dj t. nightscape - a deep, heads down house groove that locks you in with its lovingly crafted percussion and beautifully bouncy bassline, whilst the wistful, melancholic pads are food for the soul. ians experience in production shines throughout the ep, making the tracks as much of a delight on the head phones as they are on a function one soundsystem. difference (jupiter/eight mixes) - intricate percussive rhythms combine with a rubbery bassline and rich poly stabs to set the tone. strings build and release the tension and a delicate piano riff brings the soul. the evolution of the patterns sees a heady crescendo for the floor. for the >eight mix< ian reworks the stabs and bass-line and pushes out a more straight ahead groove

a song of bittersweet beauty and rich musical heritage, same sun is the first single to be released from boozoo bajous magnificent new album grains.

the boys are back! this time with the soul and black voice of mr. mj, paying tribute to the house classic >i call to love< by mr. fingers: beyond production and sound as usual, this will electrify you!

the next installment from the new beyond imprint is with us, featuring two newcomers from the thriving us underground, kapuchon & benny rodriques. the pair bring a magical detroit infused collection of warm, urgent and modern house music into our peripheral vision where its simply hard to ignore … like a well loved vintage drum machine tweaked to perfection, or a dusty old synth rejuvinated, >and again< draws inspiration from the rich synthesised landscapes of classic detroit techno, however adds a totally fresh and modern aesthetic, through its use of precise drum fills and beatifully crafted harmonies. on a more thoughful, soulful tip, >unexpected< unravells itself with smooth chord atmospheres, driving, solid-state percussion and teasing delay fx. the story might be a familar one to those who have their ears firmly pressed to the dancefloor, but for good reason, as these two fine storytellers have crafted a golden moment for the late, late hours. the acidic ride of >potato tomato<, with its pushing sub bass and glistening crescendos is perhaps the toughest cut of the e.p, and delivers the energy where its needed whilst still holding onto that classic, deep-as-dawn chicagotodetroit vibe.

finally the new single of michele menini produced together with carra. the track tiled change is a well done tune suitable for all the electro clubs dancefloors.

dark and demanding high class housemusic in raoul ks signature style. despite the somewhat strange title (jenseits meaning >afterlive< - originating from a play of words in the baobab music office), the record delivers in real life! rich instrumentation, including traditional african instruments as well as long build-ups and a dramatic breakdown. and a shimmering atmosphere to get you in the right mood. all you can ask for in a contemporary housemusic release. especially enriched with the special mr. raoul k twist, just the way youd expect it

already championed by the likes of john digweed, dubfire, nic fanciulli, steve angello and fergie, alan fitzpatrick is enjoying a rich vain of form.

the a side by hardcell and grindvik again has faultless production with its razor sharp drum intro before the pulsing lead sounds drop and the fat percussion edits envelope the track to create a truly intense feel. on the flip adam beyer delivers a truly awesome interpretation cleverly using the main parts but adding rich layers of atmospherics to create a very rich sounding deeper feel. this is a very, very serious release

after the first aspekt of marcio kantana at large and positive response follows now is the disengagement of the new labels. the guys from digital report deliver with the strange ep an amazing starting debut. the tracks are rich variety in the style produced from 1001 nights and include oriental elements, bright beats and deep sounds. this record is hardly a plate suitcase missing. just as the track sahara says he is dry and will be produced each party guest to bring sweat. this much is certain. the b-side bakara is rather for 8uhr morning, to relax, celebrate with you but will not stand still. on the record are remixes of marcio kantana and dan reed

this vinyl pack just gets progressively better with this subtle, sophisticated rich tapestry of melodic synth lines & sublime drums. ‘madhouse is already a favourite with the scenes heavy hitters. ‘sensei barks deep housey stabs combined with soulful chord progressions to make a this sexy dancefloor mover. funk dvoid & toby bearing no surprises here with yet another quality track. enter ‘six hours later - galactic textures & dubbed out chords make the finale of this bedrock series a hypnotising aural journey.

after the success of the beautiful and sultry ‚move with me‘ on poker flat 97, alongside patrick chardronnet‘s blissfully deep ‚days like these‘, david durango is back with three mesmerising tracks on dessous. like a dark, empty night made warm by the pure, reviving light of day, ‚striptease‘ is an epic tale of love and resolution. skipping, light percussion flourishes are joined by memorable chord phases that wash through and over the senses. a tender and sincere detroit style breakdown is then skillfully danced out with teasing, climactic moments of tension. ‚human‘ is by comparison a lighter journey, as durango trusts his rhythmic instincts and pulls out some fresh and airy hypnotising synth stutters and a rich palette of spacious percussion. neo-chicago stlye, ‚japanese revenge‘ is a faster paced deep-down groover that works chugging organ stabs and jacking beats along with glorious room-filling bending synth glides. it‘s a versatile track that sums up durango‘s unmistakable talent for creating an atmosphere and a celebratory, old-school vs new school vibe. durango‘s skilled, un-rushed style is the key here, and leads to three very unique dancefloor excursions, each with their own directions, moods and tingling electronic atmospheres.

special delicious garden recordings music box including 5 vinyls:dgpro011 - 013 - 017 - 018 - 016for all the lovers of music!

with deadmau5 officially one of the hottest producers on the planet, with every release he continues his rich vein of form. on the newly formed yalp imprint, the more commercial sister label to canadas play records, he handles the vocal / hook combo with aplomb. also comes with a cooler club rub and vocal free dub for those who like it like that

layo & bushwacka! turn out two more techno-tinged, melody rich house tracks for olm019, both of which are clearly heavily influenced by the duo’s travels.

british staples charles webster and swag contribute two dancefloor driven remixes of songs from the beautifully rich and downbeat debut album from australian producer peret mako. with his interpretation of >export< charles webster expertly weaves the vocals of tania bowra into a sensual nugget of 4am bliss, tried and tested on the future classic dancefloor by charles himself on his recent visit to australian shores. the flip shows swag in a bumpin and grindin state of mind with a jackin hip house groove, chunky drums and the deft musicality synonymous with their productions. ‘the devils in the detail album has won praise from media & djs alike with accolades coming in from allies such as henrik schwarz, slope, quarion, dirk rumpff … the usual suspects… for its deep musicality, layering and attention to detail. future classic are embracing the pro vinyl ideology of keeping the mp3 files offline until the vinyl sees light of day, so watch this space for dj feedback.

delikate soundforschung und ausgeklügelte bedeutsamkeit sind relevant hinsichtlich lustvoller klanggestaltung für ausgedehnt -belebende nächte in einer hoffnungsvollen zukunft. das ist die neue milnormodern und zuständig für diese nächte sind shu okuyama, dop, krause duo & db. support by: technasia, troy pierce, laurent garnier, wighnomy brothers, krause duo, chloe, seth troxler

originally released on magik muzik, it is now back where it belongs, with umek. the original mix package was a trance djs delight, with mixes from tiesto, oliver lieb and dj montana but to celebrate the return, umek has taken a different route and drafted in a remixer who is in a terrifically rich vein of form right now

our music is a secret order. but we are not rich powerful men in suits planning how to get even richer. nor are we dressing in capes performing occult or religious sermonize. we are no elite trying to separate ourselves from others. no, we are ordinary down to earth people. what unites us is that we live and breathe music. it is our passion and our drive. and it has been like that since we discovered that music must be an expression of the human soul. or as jason fine puts it: in my opinion, making deep music is not possible without a strong internal connection between the user and their feelings. ultimately the end product is a reflection of what the user was feeling while making the piece. i think its important to listen to your creative flow and respect it -- i dont try to make music when im not feeling it, because guaranteed the result will be bad. it all boils down to what im feeling at that particular moment in time when i create a piece. with these words we welcome you to the first full length album release on the kontra-musik imprint - our music is a secret order (louis armstrong, 1954). producer is greatly talented newcomer jason fine, who released his debut ep on omar-s fxhe label last year..

for this seventh release samuel let someone else bring the music, and it s actually the first time since he started klap klap for a bit more then two years ago. claudio mate has really delivered something special here, and you can hear in the title what he s going for. it s classic detroit techno made for 2008. warm and rich melodies combined with funky and driving percussion. it comes in three versions that are connected but still has their own stories. should appeal to all those who appreciates things that is made with lust and passion

volume two from mcedits shows a slight expansion of his concept, but mostly hews true to the rows he hoed on volume one. his method is basically to take lovely ballads and slow jams and add a little house heat. its really remarkable how such a simple methodology can produce such effective results but the proof is in the grooves so drop the needle on these for some rich rewards.

our music is a secret order. but we are not rich powerful men in suits planning how to get even richer. nor are we dressing in capes performing occult or religious sermonize. we are no elite trying to separate ourselves from others. no, we are ordinary down to earth people. what unites us is that we live and breathe music. it is our passion and our drive. and it has been like that since we discovered that music must be an expression of the human soul. or as jason fine puts it: in my opinion, making deep music is not possible without a strong internal connection between the user and their feelings. ultimately the end product is a reflection of what the user was feeling while making the piece. i think its important to listen to your creative flow and respect it -- i dont try to make music when im not feeling it, because guaranteed the result will be bad. it all boils down to what im feeling at that particular moment in time when i create a piece. with these words we welcome you to the first full length album release on the kontra-musik imprint - our music is a secret order (louis armstrong, 1954). producer is greatly talented newcomer jason fine, who released his superb debut ep on omar-s fxhe label last year. the twelve pieces of minimal detroit sounds you are about to hear, were sent to us as one package. we were blown away and there was nothing else to do but surrender to its quality and sign them all. now join us…

rhodes accents and analog synth melodies, while a vocal chorus ups the soul ante during the marching strut of who am i, a beautiful example of timeless house music if there ever was one. in futuristic funk, a looped voice incessantly repeats too late now, thereby adding a touch of delirium to the tunes stomping swing, after which the vocal line expands into the chanted pray for brighter days / too late now / lose myself in the future / too late now. warmed by old-school synth flourishes, congas, and rhodes melodies, millers rich and seductive club music makes surrender the only possible proposition and a release so rarely deep and musical, which is therefore not to be missed.

for afs_00.3 abstract forms continues its focus on deep techno and electro and presents a stunning 4 track ep by arne weinberg called stargazing. the a side gives us rich and melodic 4 to the floor deep techno whilst the b side tells a different story, bringing together 2 different moods of lush electro. this ep tells a story and really showcases what arne does best, beautiful deep electronics for the 21st century! - from one star to the next we will follow the spirit.. ltd to 250 copies

this is the hip house anthem !! produced by todd >the god< terry

essential tech-house interpretation of the jazz standard! tip ! at the core of >take five< is a warm, fluttering piano loop that wouldnt sound out of place on a nina simone record. around these rich, faintly jazzy chords, jona builds a thrillingly direct, percussive track which nods to the passion and polish of classic 90s house music. a shuffling snare pattern and a tough, buoyant kickdrum combine with the keys to give the dancefloor a workout it wont forget. this is smart, optimistic stuff from jona, a ready-made soundtrack for hands in the air at late summers parties. >sunset< is a darker but no less seductive affair. its skeleton is a supple, minimalist groove, undercut with a raw, rangy bassline, and topped by tight snares and a steady, sibilant rush of hi-hats.

official killer dj mashup between ralph falcons been a long time with yoshimotos do what u do

includes super hot remixes from seamus haji, filthy rich and daley padley.

at salad is the new alias of dj/producers leo elstob (a mountain of one, faith etc.) and rupert lyddon (grand national - sunday best)..... theyve spent the last few months trawling their 50.000 strong record collection and carefully re-editing, re-mastering and re-working everything that fits the rat salad musical junket.... the platform for these amazing reworks is leos new glorys label (see further info below) theyre using traditional methods, old school tape edits and tracks fed half-speed through prehistoric valve amps & compressors to give them an extra rich sound and a unique rat salad double dollop of wallop

jephte guillaume, nyc based dj/producer, has garnered mass appeal from his dancefloor audiences. bringing the same grace and precision to handling the decks, as he does in the recording studio, he is well established for his rich sets where he mixes soulful dance and spiritual house grooves with traditional afro cuban, afro haitian and brazilian rhythms. known as the creator of vodou house for some of his well loved hits, he is firmly established as an international dj/producer/remixer. jephte scored a subtantial portion of the soundtrack and is being featured on the film documentary maestro...the most realistic and in depth motion picture ever made on dance culture.

the chart buster martin solveig was glad when his roman friend and colleague lorenzo rumi called upon him to return to the roots of house music, starting from the early, glorious chicago scenario and its immediate and infectious groove. so far away came to life, as an impulse with only 2 days of hectic studio session and a few liters of coffee. the guys worked on a stricltly old school basis, then added a full vocal and new elements to bring the fine charme of todays house, turning so far away in a contemporary composition rich of surprises and thrilling breaks. the performance of australian soul singer rachel claudio gives a touch of attitude with passionates and unforgettable vocals. definitely another epic stone in the b2f wall!

welcome to the deepest nightmare of pulshar, welcome to nospheratus territory. an unforgettable trip into the darkest side of the bands soul, inspired by the cult movie nospheratu, this is one of the greatest dub and melancholic tracks of the year. a trippy bass and envolving melodies for an instant bloody dub joy. rod modell and steven hitchell take the controls on the b side and produce one of their best reworks yet under their echospace alias. they have reduced the original track to a deep and emotional piece. a majestic cavalcade into dub techno, a composition full of rich textures which remind of a cloudy day in detroit city, accompanied by a subtle conga that kicks off from the middle of nowhere and turns out really smooth, deep & dark. a little different than the material from their album on modern love, more reduced into the deepchord sound, a little more scaled back

massive remix package of the cosmos sampling take me with you from boys of the moment prok & fitch stand out mix comes from filthy rich with minimal duties from kanio

rock trio year long disaster is led by guitarist and vocalist daniel davies who grew up with an insiders perspective being the son of kinks guitarist dave davies. rich mullins has toured the world in his past rock lives with karma to burn and speedealer, and brad hargreaves is certainly no stranger to bright lights and big cities as his moonlighting gig is as the drummer of eight times platinum third eye blind. together, they are indeed, year long disaster.

although only 23 years of age englishmen cris barratt is already considered one of the hottest new producers on the block. what makes him really special is his unique blend of sounds, which is not melodic house, minimal, tribal, rock electro or techno, but at the same time it is all of that. two tracks on this ep are the best reflection of chris >get maximal< approach: he builds the story slowly, upgrades the basic theme bit by bit, then weaves in another leading theme and spices the blend with unexpected small but effective element from the late 90s. the result of this blending is very rich, warm sound, perfect for the parties somewhere at the seaside. re-release

the chart buster martin solveig was glad when his roman friend and colleague lorenzo rumi called upon him to return to the roots of house music, starting from the early, glorious chicago scenario and its immediate and infectious groove. so far away came to life, as an impulse with only 2 days of hectic studio session and a few liters of coffee. the guys worked on a stricltly old school basis, then added a full vocal and new elements to bring the fine charme of todays house, turning so far away in a contemporary composition rich of surprises and thrilling breaks. the performance of australian soul singer rachel claudio gives a touch of attitude with passionates and unforgettable vocals. definitely another epic stone in the b2f wall!

aria is a striped back but purring with refined detail and melody. lees classic delicate and distinctive groove rich with percussive fills is present and correct. beautiful strings combine with an embellished swirling pad to create a lush palette of melody that will remain firmly lodged in your brain. with the tiger stripes remix, its as if lees original has been injected with growth hormones. the melody is intact and the vibe remains, albeit bigger, tougher and firmly peak time.

fresh release on article records comes out from czech producer nipp, who delivers unmissible ep for the label, artist himself talks about the best of selection. titel track named adagio is playful, minimalistic composition, rich in mood and tone with surprising break with aching strings, moodywise track with subtle details and brilliants sound. track sad like windows is a focus of emotive keyboards and combination of break and 4x4 beats nestled on bed of minimal rhythm.among others tune has more deep housey vibe with pure energy.watch out for this promising talent!

nice price deal !!! originally released in 2007 on r&g electronics. great package of mixes here. includes mixes by peter gelderblom, deepgroove, filthy rich and dan james

next big hit from the booty luvas ... filthy rich, club & soul avengerz mixes!!

rebekahs second instalment on criminal records is a 2 track ep. moving flawlessly into techno with 2 beautifully crafted pieces, freakonomics is a deep work out of sub heavy bongos, a haunting melodic synth line and stripped riding percussion with layers of effects building into an atmospheric breakdown. neo is more up-tempo with shuffling percussion and rolling bass that leads into deep rich synth stabs. radio 1 was quick to pick up neo airing it on mistress de funk s residency show last week and both tracks are gaining huge support from the likes of funk d void, greg vickers, mark knight and yousef

after the big success about >lift me up< - co-produced with brown sugar - niko de luka now releases his new imprint >good night< with dawn tallman on the microphone. just like his recent releases and remixes he focuses on dawns beautiful soulful vocals that bulid a perfect match with his funky beat programming. nikos roots reach back to the year 1995, as he - influenced by the us house of masters at work, roger sanchez and danny tenaglia - startsspinning the records. in 1998 his first >rich vibes< e.p. is signed by scorpio music france and opens up the doors for international dj bookings. after a short time in barcelona, niko de luka founds his own label, kaa recordings, and gains success with his mix of deep baslines, funk and latin.

combustible ep is a joint production made in barcelona by swat squad (trapez, resopal, treibstoff) and sentinel (a talented newcomer). >combustible< greets you with a set of floating pads that instantly give place to a fast paced set of typewriter clicks. soon enough there is a new scenario when new exciting elements enter, bringing different colours to the composition. >verduritas< is like a sweet pea! its fresh, rich and smart!

energetic elecgtro house mash-up of bassheads & billy idol

the los angeles native kemal continuing the rich vein of recommended productions released on indeependent recording such as medusa & my faith presents now another essential one on purple tracks! city street walking featuring the killer sexy vocal by foxxee includes 3 mixes: the main, the organ dub & the instrumental. a perfect package for every club and every floor. thats house music from the best side & we all at the purple tower are sure - thats the track to dance your ass off!!!

this is deluxe disco house madness !! just an uplifting anthem !!

this time, doctor pepp and doctor hugg investigates the secrets behind the pappas mechanism that is the source of the love explosion. in the 2007 report >pappa love mechanism and it social economic studies< we have tried to cover the whole process from the first eye contact on the dancefloor to the sucessful stimuli of ollon and completion of the explosion. it is reported that at least 52 sucessful explosions inside the mamma during 2007 (percentage of error 3.45%) where produced under assistance of the special hugg & pepp frequency spectrum in our test envrioments. we are very proud to present this spectrum in two separate files, the pung spectrum and the ollon spectrum, each one being specially designed to meet the high level criterias of today. the pung spectrum has a base frequency of about 75.5 hz for wich most pungs will be mostly efficient. how ever, this special spectrum has such a rich and joyful tonal range making contact on the dancefloor under influence of alcohol is no longer necessary